Caught with her head deep in a vase of peonies (on the dining room table!!!), Pippa seeks to satisfy her thirst. Never mind that a fresh bowl of water is provided for her daily beside her food bowl – where’s the sport in THAT?!
WPC – satisfaction
Caught with her head deep in a vase of peonies (on the dining room table!!!), Pippa seeks to satisfy her thirst. Never mind that a fresh bowl of water is provided for her daily beside her food bowl – where’s the sport in THAT?!
WPC – satisfaction
On my most recent visit to the Metropolitan Museum of Art, I kept a promise with myself and made my way to the roof-top for a glass of wine while overlooking Central Park and the Manhattan skyline. A pretty spectacular and indulgent treat, I thought. (Especially as I was alone and the wine was not inexpensive)
To my absolute surprise and delight, I found here this extraordinary installation by Argentinian artist Adrian Villar Rojas – The Theatre of Disappearance.
In this exhibit, the artist used the Museum itself as as inspiration. Each piece represents replicas of nearly 100 objects from The Met collection.
Each object is a fusion (or collage) of various, otherwise unconnected pieces from the collection, drawing from thousands of years of artistic production over several continents and cultures.
It’s is all rendered in the same black or white material and coated in a layer of dust.
It was equally eerie and mesmerizing. Simply breathtaking set against that magnificent backdrop.
I was happy to slow down and admire, taking it all in while juggling my wine glass with my camera.
If you are in NYC, the show runs until October 29, 2017 at The Met Fifth Avenue. I recommend it!
WPC –collage
Tripping the world, slowly
Ramblings of a retiree in France
And then I stop and sit and eat.
Life in Full View: A Photographer's Journey
“The most we can do is to write — intelligently, creatively, critically, evocatively — about what it is like living in the world at this time.” Oliver Sacks. “To take a photograph is to align the head, the eye and the heart,” Henri Cartier-Bresson
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